Difference between revisions of "Stop Telling People To Smile - Tatyana Fazlalizadeh"

From Beyond Social
 
Line 10: Line 10:
 
The starting point of this project is very artistic, using the portraits of the woman as main focus. The artistic level stops right there. Although it is an ongoing project that is traveling the world, maybe there could be more time spent on how to evolve the posters she is putting around. Maybe the black and white posters work very well in one neighbourhood, but are totally ignored in the other neighbourhood. She could have looked more at the different types of colouring and printing.  
 
The starting point of this project is very artistic, using the portraits of the woman as main focus. The artistic level stops right there. Although it is an ongoing project that is traveling the world, maybe there could be more time spent on how to evolve the posters she is putting around. Maybe the black and white posters work very well in one neighbourhood, but are totally ignored in the other neighbourhood. She could have looked more at the different types of colouring and printing.  
  
Never the less, I think this is a very good social art & design project. Many women feel objectified and demoralized every day, even here in Rotterdam. But we all take this behaviour for granted as normal and acceptable. Laura S. Logan, an assistant professor of sociology at Hastings College in Nebraska, who has studied catcalling for years says that research shows that is a problem affecting how women get to work, when they go out and how they dress.  
+
Nevertheless, I think this is a very good social art & design project. Many women feel objectified and demoralized everyday, even here in Rotterdam. But we all take this behaviour as normal and acceptable. Laura S. Logan, an assistant professor of sociology at Hastings College in Nebraska, who has studied catcalling for years says that research shows that is a problem affecting how women get to work, when they go out and how they dress.  
 
We’re being shown for the impact it actually has on us and Tatyana is helping to make it stop and create more awareness for women to stand up for themselves. Women’s bodies are consumed and are considered public property for display, comment and consumption. Another reason I think this is a very good project is that it gives women a face. And by giving them a face, other women can faster relate to their problems and by that feel more encouraged to stand up for them selves whenever they feel harassed. It makes them feel that is isn’t normal, and that it is okay to participate in the fight against this harassments.   
 
We’re being shown for the impact it actually has on us and Tatyana is helping to make it stop and create more awareness for women to stand up for themselves. Women’s bodies are consumed and are considered public property for display, comment and consumption. Another reason I think this is a very good project is that it gives women a face. And by giving them a face, other women can faster relate to their problems and by that feel more encouraged to stand up for them selves whenever they feel harassed. It makes them feel that is isn’t normal, and that it is okay to participate in the fight against this harassments.   
  

Latest revision as of 22:01, 30 October 2018


The wikipage input value is empty (e.g. SomeProperty::, [[]]) and therefore it cannot be used as a name or as part of a query condition.

Stop Telling Women to Smile is an art series by Tatyana Fazlalizadeh. The work attempts to address gender based street harassment by placing drawn portraits of women, composed with captions that speak directly to offenders, outside in public spaces.

Stop Telling People To Smile - Tatyana Fazlalizadeh

Review by Campara Rozina de Haan

The project ‘Stop Telling Women to Smile” is still an ongoing project. The series travels through different states and even countries. This is what makes the project very transformative and participatory. It can be used for different women who have had different experiences. And it gives all these women their own voice. Tatyana Fazladizadeh takes women’s values and faces, and puts them in the street. By that, she creates a presence in the places where they feel unsafe.

The starting point of this project is very artistic, using the portraits of the woman as main focus. The artistic level stops right there. Although it is an ongoing project that is traveling the world, maybe there could be more time spent on how to evolve the posters she is putting around. Maybe the black and white posters work very well in one neighbourhood, but are totally ignored in the other neighbourhood. She could have looked more at the different types of colouring and printing.

Nevertheless, I think this is a very good social art & design project. Many women feel objectified and demoralized everyday, even here in Rotterdam. But we all take this behaviour as normal and acceptable. Laura S. Logan, an assistant professor of sociology at Hastings College in Nebraska, who has studied catcalling for years says that research shows that is a problem affecting how women get to work, when they go out and how they dress. We’re being shown for the impact it actually has on us and Tatyana is helping to make it stop and create more awareness for women to stand up for themselves. Women’s bodies are consumed and are considered public property for display, comment and consumption. Another reason I think this is a very good project is that it gives women a face. And by giving them a face, other women can faster relate to their problems and by that feel more encouraged to stand up for them selves whenever they feel harassed. It makes them feel that is isn’t normal, and that it is okay to participate in the fight against this harassments.

However, I do see some weak aspects of the project. I think it could be better, but better by many different little things. The overall context of the project is really good, but it needs to be more detailed. For example, by drawing them they characterise the women. I think this is why men won’t take it serious enough. They don’t see them as an example for a real woman. They also don’t look angry or sad enough. And that may seem as an irrelevant thing, but the human being simply need to literally see the sadness or anger on someone’s face, otherwise they think that they aren’t sad or angry enough to see it as a real problem. This is why men are still a thread for the project. It is all up to them to see this project as a relevant thing. And I don’t know if only posters on the wall can accomplish this. They’ll probably see it and don’t feel addressed at all.

But, where there are threads and weak aspects, there also lies opportunity’s. Why not make different STPTS Teams all over the world who can give this project more attention all over the world. So, for example, why not make a Rotterdam STPTS Team who can photograph the different faces of Rotterdam women who are harassed every single day. Display their faces on a huge A0 poster and put it out on the streets and neighbourhoods where they feel uncomfortable? When this project lives to it’s full potential, it can change the world. It can change the way men objectify women.

Finally, to end my review in a way of recommendation. Encouraging conversations between men and women about street harassment and how it affects women physically, mentally and emotionally stays difficult, but if Tatyana gives her women more identity by adding colour and more facial expression the message will get more noticed and become more powerful.

Links












[[Category: | ]]


Recent articles


None.png
Last modified at 16 December 2022 18:40:39 by User:Ron Merkle


Directory.jpeg
Last modified at 7 April 2022 15:29:04 by User:Sumiaj


Chat output.jpg
Last modified at 3 June 2021 14:26:37 by User:Angeliki


Sustainism.jpeg
Last modified at 3 June 2021 14:19:52 by User:Angeliki


Ukraine-parliament-fighti-012.jpg
Last modified at 3 June 2021 13:43:32 by User:Angeliki


The Vantage Body - Theory Program 2020-2021.jpg
Last modified at 20 February 2021 17:39:27 by User:Clarabalaguer


Radio chat.jpeg
Last modified at 19 February 2021 01:08:22 by User:Clarabalaguer


Minimalism.jpg.png
Last modified at 3 February 2021 23:12:20 by User:Clarabalaguer



→ show all articles

CONTRIBUTE

Feel free to contribute to Beyond Social.

 

There are four ways to contribute:

Create a new article. Beyond Social is written and edited by its community. Contribute to this online publishing platform with an article (text, photo-essay, video, audio and so on) about your project, theory, event or initiative in the field of Social Art & Design.
Edit this page, or any of the other ones. If there is any missing information or spelling mistakes in this article, please don't hesitate to change it. Other complementing work, such as including media files (images/video's/audio) is also very much appreciated.
Talk with the contributers and others by taking part in one of the discussions on the TALK-page of an article. These pages are the semi-hidden backside of articles, hence ideal for discussions about an article without changing the initial text.
PROPOSE a new editorial. Beyond Social invites guest editor(s) to emphasize a certain issue, topic or theme. Guest editors write an editorial, invite others to create articles by an open call and/or add existing articles.