Difference between revisions of "Pooling people"

From Beyond Social
 
(43 intermediate revisions by 5 users not shown)
Line 1: Line 1:
Beyond Social #2 Exploring Social Art and Design Now
+
{{Article
Elise van Beurden
+
|Image=Fotografie tafel.jpg
Product Design/Open Design  
+
|Caption=Pooling People Table by Elise van Beurden
Project: Pooling People, 2015
+
|Summary=Open Design is often defined as a comprehensive design approach that includes sharing of blueprints, openness in the design product and process, and transparency in the production chain. By increasing transparency in society, citizens may become aware of their ability to contribute to environmental welfare. Social empowerment is an aspect of open design that I aim to achieve. Therefore I intended to invent creative research tools that encourage an innovative collaboration across disciplines, cultures, and socio-economic levels. My research question: How can open design play a role in enhancing social contact?
 +
|Article=Author: Elise van Beurden
  
Open Design is often defined as a comprehensive design approach that includes sharing of blueprints, openness in the design product and process and transparency in the production chain. By increasing transparency in society, citizens may become aware of their ability to contribute to environmental welfare. Social empowerment is an aspect of open design that I aim to achieve. Therefore, I intended to invent creative research tools that encourage e innovative collaboration accross disciplines, cultures, and social levels. My research question:
+
== Polish labour migrants in Brabant ==
 +
For about a decade now, Polish labour migrants have been settling in my hometown Steenbergen (province of Noord-Brabant). They came here to work in jobs such as the horticulture sector. Many migrants visit Steenbergen for a few months before returning to Poland. However, there is a growing number of migrants who decide to stay in Steenbergen to build a future there. The inhabitants of Steenbergen only seem to know about the Polish people they encounter on their route from home to work and from home to the supermarket. Steenbergers seem to have little knowledge of Polish culture. In a small rural town without a culturally diverse mentality, more background information is needed in order to be able to live in a state of conviviality. With my project 'Pooling People' I want to contribute to solving a local problem and to involve stakeholders such as the municipal government, the library and the employment agency. I try to empathise with the communities: I design for them and with them rather than focusing on my own personal expression.
  
How can Open Design play a role for social contact?
+
== Exploring social contact ==
 +
By conducting intensive field research of both the Polish and Dutch inhabitants and various other stakeholders, I became inspired by the needs, future visions, differences and similarities within the communities. For example, the Polish migrants were surprised by the relaxed lifestyle of the Dutch inhabitants, whereas the traditional Polish lifestyle requires discipline in work and religion. Strangely enough, social contact between cultures did not appear obvious to either party. During the dozens of interviews, surveys and workshops, I developed and tested open design tools that stimulate acquaintance, and in the longer term, social contact. For example, I designed an apron to explain recipes, and a toolbox for collaboratively writing a Polish-Dutch story. Through my research, I found out that the barrier for social contact goes far beyond language. The inhabitants prefer to get to know each other from a safe distance, step by step.
  
Since a decade, Polish labor migrants have been settling down in my hometown Steenbergen (Noord-Brabant). They came here  to work in jobs like the horticulture sector. Many migrants visit Steenbergen for a few months before returning to Poland. However, there is a growing number of migrants who decide to stay in Steenbergen to build up a future. The inhabitants of Steenbergen only seem to know about the Polish people from their route  home-work and home-supermarket,.
+
== Tool table ==
Steenbergers  seem to have little knowledge about Polish culture. In a small rural city without a culturally diverse mentality , more background information is needed to able to live in conviviality .
+
In response to these results, I designed a table with tools for social contact. The 'tool table' is an open design acquaintance tool, a mobile table that collects the stories, ideas and visions of citizens, and provides assignments and questions for both cultural groups. By using 100-year-old mahogany wood reclaimed from the Gummarus church in Steenbergen, the table is given a traditional and Catholic expression. In addition, its modifiable content provides an adventure connected to the town's residents. My 'tool table' can be used for both individual acquaintance and group workshops. The questions include: 'what do you think about the local government's interference regarding social contact between the two groups?' Or: 'what are places for social contact in this town?' The table was tested in different public spaces in Steenbergen, such as the library, the town hall and the Polish hotel. The design of the table has elicited curiosity and the table's content turned out to be informative and explorative.
With my project ‘Pooling People’ I want to contribute to a local problem and involve stakeholders like the municipality, library and employment agency. I try to empathize with the communities: I design for them and with them instead of assuming just my personal expression.
 
  
By doing a great amount of field research among both the Polish  and Dutch inhabitants and various stakeholders, I got inspired by the needs, future visions, differences and similarities within the communities. For example, the Polish migrants were surprised by the unstrained lifestyle of the inhabitants from Steenbergen, as the Polish traditional lifestyle requires discipline in work and religion. Furthermore, strangely enough (and hard for me though) social contact between cultures did  not appear to be obvious for both rural backgrounds. During the dozens of interviews, surveys and workshops, I developed and tested open design tools that provoke acquaintance and for the longer term, social contact. For example, I designed an an apron to explain recipes and a toolbox to write a Polish-Dutch story together.
+
== Discussion ==
 +
The editorial board invites readers to reflect and react on the following questions:
 +
Open design also implies that users can continue to further develop the product themselves. We are curious to find out whether and how the Polish and local people of Steenbergen have continued to use this tool table, and whether they have also invented and added successful interaction tools themselves. Perhaps readers can contribute with open design examples of social interaction in which stakeholders themselves have invented new ways of getting to know each other better, facilitated by social designers.  
  
Through my research, I've found out that not only the language is a barrier to meet each other. The inhabitants prefer to get to know each other from safe distance, step by step. Therefore, my ‘tool-table’ can be used for both as individual acquaintance as for group workshops. It is a mobile table that collects stories and ideas of citizens and provides assignments and questions for both cultural groups. Questions include: 'what do you think about the local government’s interference regarding social contact between the two groups?' Or:'what are places for social contact in the city?' The use of 100 year old mahogany wood out of the Gummarus church of Steenbergen, gives the table its traditional and catholic expression. The table is currently being tested in different public spaces in Steenbergen, like the library, town hall and the Polish hotel. Until now, the design of the table elicited curiosity and the table’s content turned out to be informative and explorative.
+
'Pooling People' was Elise's graduation project in 2015 (Product Design/Open Design).
 
+
}}
[[Category:State]]
+
{{Links external
[[Category:02_Edit_Me]]
+
|link=http://www.elisevanbeurden.nl/polen-in-steenbergen.php
 +
|displaytext=http://www.elisevanbeurden.nl/polen-in-steenbergen.php
 +
}}
 +
{{Category selector
 +
|Category=Product Design
 +
}}
 +
{{Category selector
 +
|Category=Community
 +
}}
 +
{{Category selector
 +
|Category=Open Design
 +
}}
 +
{{Category selector
 +
|Category=Diversity
 +
}}
 +
{{Category selector
 +
|Category=Embedded Research
 +
}}
 +
{{Articles more}}

Latest revision as of 14:01, 2 November 2018


Open Design is often defined as a comprehensive design approach that includes sharing of blueprints, openness in the design product and process, and transparency in the production chain. By increasing transparency in society, citizens may become aware of their ability to contribute to environmental welfare. Social empowerment is an aspect of open design that I aim to achieve. Therefore I intended to invent creative research tools that encourage an innovative collaboration across disciplines, cultures, and socio-economic levels. My research question: How can open design play a role in enhancing social contact?

Author: Elise van Beurden

Polish labour migrants in Brabant

For about a decade now, Polish labour migrants have been settling in my hometown Steenbergen (province of Noord-Brabant). They came here to work in jobs such as the horticulture sector. Many migrants visit Steenbergen for a few months before returning to Poland. However, there is a growing number of migrants who decide to stay in Steenbergen to build a future there. The inhabitants of Steenbergen only seem to know about the Polish people they encounter on their route from home to work and from home to the supermarket. Steenbergers seem to have little knowledge of Polish culture. In a small rural town without a culturally diverse mentality, more background information is needed in order to be able to live in a state of conviviality. With my project 'Pooling People' I want to contribute to solving a local problem and to involve stakeholders such as the municipal government, the library and the employment agency. I try to empathise with the communities: I design for them and with them rather than focusing on my own personal expression.

Exploring social contact

By conducting intensive field research of both the Polish and Dutch inhabitants and various other stakeholders, I became inspired by the needs, future visions, differences and similarities within the communities. For example, the Polish migrants were surprised by the relaxed lifestyle of the Dutch inhabitants, whereas the traditional Polish lifestyle requires discipline in work and religion. Strangely enough, social contact between cultures did not appear obvious to either party. During the dozens of interviews, surveys and workshops, I developed and tested open design tools that stimulate acquaintance, and in the longer term, social contact. For example, I designed an apron to explain recipes, and a toolbox for collaboratively writing a Polish-Dutch story. Through my research, I found out that the barrier for social contact goes far beyond language. The inhabitants prefer to get to know each other from a safe distance, step by step.

Tool table

In response to these results, I designed a table with tools for social contact. The 'tool table' is an open design acquaintance tool, a mobile table that collects the stories, ideas and visions of citizens, and provides assignments and questions for both cultural groups. By using 100-year-old mahogany wood reclaimed from the Gummarus church in Steenbergen, the table is given a traditional and Catholic expression. In addition, its modifiable content provides an adventure connected to the town's residents. My 'tool table' can be used for both individual acquaintance and group workshops. The questions include: 'what do you think about the local government's interference regarding social contact between the two groups?' Or: 'what are places for social contact in this town?' The table was tested in different public spaces in Steenbergen, such as the library, the town hall and the Polish hotel. The design of the table has elicited curiosity and the table's content turned out to be informative and explorative.

Discussion

The editorial board invites readers to reflect and react on the following questions: Open design also implies that users can continue to further develop the product themselves. We are curious to find out whether and how the Polish and local people of Steenbergen have continued to use this tool table, and whether they have also invented and added successful interaction tools themselves. Perhaps readers can contribute with open design examples of social interaction in which stakeholders themselves have invented new ways of getting to know each other better, facilitated by social designers.

'Pooling People' was Elise's graduation project in 2015 (Product Design/Open Design).

Links








Recent articles


None.png
Last modified at 16 December 2022 18:40:39 by User:Ron Merkle


Directory.jpeg
Last modified at 7 April 2022 15:29:04 by User:Sumiaj


Chat output.jpg
Last modified at 3 June 2021 14:26:37 by User:Angeliki


Sustainism.jpeg
Last modified at 3 June 2021 14:19:52 by User:Angeliki


Ukraine-parliament-fighti-012.jpg
Last modified at 3 June 2021 13:43:32 by User:Angeliki


The Vantage Body - Theory Program 2020-2021.jpg
Last modified at 20 February 2021 17:39:27 by User:Clarabalaguer


Radio chat.jpeg
Last modified at 19 February 2021 01:08:22 by User:Clarabalaguer


Minimalism.jpg.png
Last modified at 3 February 2021 23:12:20 by User:Clarabalaguer



→ show all articles

CONTRIBUTE

Feel free to contribute to Beyond Social.

 

There are four ways to contribute:

Create a new article. Beyond Social is written and edited by its community. Contribute to this online publishing platform with an article (text, photo-essay, video, audio and so on) about your project, theory, event or initiative in the field of Social Art & Design.
Edit this page, or any of the other ones. If there is any missing information or spelling mistakes in this article, please don't hesitate to change it. Other complementing work, such as including media files (images/video's/audio) is also very much appreciated.
Talk with the contributers and others by taking part in one of the discussions on the TALK-page of an article. These pages are the semi-hidden backside of articles, hence ideal for discussions about an article without changing the initial text.
PROPOSE a new editorial. Beyond Social invites guest editor(s) to emphasize a certain issue, topic or theme. Guest editors write an editorial, invite others to create articles by an open call and/or add existing articles.